Jouster

 


In the person of Fulke Greville, poet, statesman, and soldier, and eminent in all three professions, the chivalry of the era of the Maiden Queen found its last harbour. He was the Sir Bedivere of that romantic Court of the virgin Star of the North, who sat, as he himself had said, with ‘The red and white rose quartered in her face’.  
 

From Shakespeare to Pope, Sir Edmund

Gosse, (1885), pp. 144-147.

 

 

The Friends who went as Enemies:
The Earle of Essex  -  Master Fulke Greville.

 

Then proudly shocks amid the martial throng

Of lusty lanciers, all in sable sad,

Drawn on with coal-black steeds of dusky hue,

In stately chariot full of deep devise,

Where gloomy Time sat whipping on the team,

Just back to back with this great champion;

Young Essex, that thrice-honourable earl;

Y-clad in mighty arms of mourner’s dye,

And plume as black as is the raven’s wing

That from his armour borrowed such a light

As boughs of yew receive from shady stream:

His staves were such, or of such hues at least,

As are those baneer-staves that mourners bear;

And all his company in funeral black;

As if he mourned to think of him he missed,

Sweet Sidney, fairest shepherd of our green,

Well-lettered warriour, whose successor he

In love and arms had ever vowed to be;

In love and arms, O, may he so succeed

As his deserts, as his desires would speed!

With this great lord must gallant Greville run,

Fair man-at-arms, the Muses’ favourite,

Lover of learning and of chivalry,

Sage in his saws, sound judge of poesy;

That lightly mounted makes to him amain,

In armour gilt and bases full of cost.

Together go these friends as enemies;

As when a lion in a thicket pent,

Spying the boar all bent to combat him,

Makes through the shrubs and thunders as he goes.

 

  Polyhymnia, George Peele (1590).


Champion of the Tiltyard

 

 

       Fulke Greville was a renowned horseman and horse breeder and so great was his prowess with the tournament lance (called a ‘spear’ in Tudor times) that he became a ‘famous champion of the tiltyard’. In the New Year’s Day Tilt of 1582, ‘Mister Fulke Greville’, the Stratford poet, fought the Dauphin of France. Greville also has the distinction, with his friend Philip Sidney, of introducing tournament imprese into England. An imprese was a paper or pasteboard shield painted with an emblematic device and motto which would be carried and interpreted for a knight by his squire. Such a ceremony is portrayed in Pericles, Scene 6.

      
      Imprese
are first mentioned by name in the Revels Documents in connection with one of the most famous tournaments ever held in England The Four Foster Children of Desire, written and performed by Philip Sidney and Fulke Greville (Friedrich Brie). The theme of the tournament was their opposition to the proposed ‘French Marriage’ on the grounds that Elizabeth belonged to the English and not to the French, in the form of the Duke of Alençon. The four ‘Children’, Sidney, Greville, the Earl of Arundel and Lord Windsor, issued a challenge in which they claimed the Queen (‘Perfect Beauty’) as theirs ‘by right of inheritance’ and announced their determination to defend her against all comers. The tournament was held at the tiltyard which adjoined the Queen’s house at Whitehall. The Queen and her ladies sat in the gallery (‘the Fortress of Perfect Beauty’), defended by 22 knights and ‘an Unknown Knight’. The crowds who came to see the tournament were so vast that several spectators were crushed to death. Nicholls (Progresses of Queen Elizabeth) described Greville’s entrance to the tiltyard:

 

Then came Master Fulke Greville, in gilt armour, with rich and fair caparisons and furniture, having four spare horses with four pages riding upon them, and four trumpeters sounding before him, and twenty gentlemen and yeomen attending upon him, who with the pages and trumpeters were all apparelled in loose jerkins of tawny taffeta, cut and lined with yellow sarsenet, and laid with gold lace, and cut down the arm and set with loops and buttons of gold, Venetian hose of the same (lined as aforesaid) laid with gold lace down the side with loops and buttons of gold, with each a pair of yellow worsted stockings, and hats of tawny taffeta with gold bands and yellow feathers.

 

      Greville and his three companions each ran six courses against the 23 defending knights and then fought them with swords and finally at the barriers. Naturally, the ‘Forster Children’ were defeated and they submitted to the Queen who presented them with an olive branch.

           
       In the ‘Accession Day’ tilt of November 1590, Greville fought his cousin and close friend, the Earl of Essex. ‘The Friends who went as Enemies’ were immortalized by George Peele in his Polyhymnia.


 
 

Fulke Greville, Lord Brooke, was a brave gentleman

Fragmenta Regalia,

Sir Robert Naunton (1641), p. 50.
 
 
 
 
 
 
 
 


Home  |  Who Was Fulke Greville?  |  Monument Without a Tombe   |  Comments  |  Links  |  Contact Us  |  Buy Now  | Site Map

© MoS Publishing Ltd 2007